Lone Star Chapter Annual Meeting 2017

Thanks to everyone who helped make the Annual Meeting in Austin last weekend a success.  Special thanks to Austin Book Arts Center (atxbookarts.org) and Mary Baughman for hosting and helping to arrange several interesting activities, including letterpress printing of our own commemorative coaster! The studio tour of Flatbed Press (flatbedpress.com) and print demo by Alfonso Huerta (dosmundos.net) were excellent, as was the open studio tour of Smith and Hawley (smithandhawley.com) from paper toy maker Kyle Hawley. Our tag sale/swap was a success too – an entire hallway was packed with goodies for sale and giveaway. Our business meeting took place in the beautiful space at CAMIBAart, which had just opened a new show the night before. We all came away feeling quite inspired, it was an entire building full of creative energy!

We hope that everyone will be able to join us for the next Annual Meeting in Dallas Texas, set to coincide with the DeGolyer Triennial Book Binding Competition in 2018.

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chapter meeting coming up!

Please join us for the Lone Star Chapter of the Guild of Book Workers annual meeting, to be held Saturday April 22, 2017 at the Austin Book Arts Center, beginning at 2pm. ABAC is housed in the Flatbed Press building, as is the gallery where our business meeting will be taking place, along with a number of other creative studios and galleries. We encourage you to arrive early to explore the spaces, and take part in an optional tour and demonstration at Flatbed.

2832 E MLK Blvd
Austin, TX 78702

Here’s the schedule for the day:

12:00 Flatbed gallery and studios are open for visitors. (optional)

12:30 1:45p Print making demonstration in the Flatbed gallery (optional)

2:00p-3:30p Letterpress printing, demonstrations, refreshments, and tag sale:

We’ll be printing drink coasters (so you’ll have a souvenir) with the kind help of ABAC in using their platen presses. The 2-color design for the coaster was dreamed up by our own Jesse Hunt, and you’re gonna love it!

Concurrently, there will be an open studio with paper toy makers Kyle Hawley and Veronica Ceci. Kyle Hawley, ABAC board member, has a studio located next to the gallery. She is a printer and paper toy designer.  http://smithandhawley.com/

We’ll also have an area set up for a tag sale during this time. Participants can bring in extra materials, bags of scraps, unbound textblocks, and used tools or presses they’re looking to sell or give away. Items should be labeled with the seller’s name and asking price (if there is one), then a buyer can find the seller and pay (or say thank you). We think this will be a great idea to facilitate mingling!

3:30p-4:30p annual meeting (business):

This portion of our afternoon will take place in CAMIBAart, a gallery space in the same building. We’ll do further introductions, review the health of our chapter, highlight the activities of the past year, discuss upcoming events, and begin thinking of nominations for chapter officers. I’ll be sending an agenda ahead of the meeting, and welcome thoughts from anyone, especially those of you that might not be able to attend.


Wrap up and clear out.

After 5p:

If you like, continue socializing and join us in the neighborhood for dinner and drinks. Dutch treat, but a round of appetizers will be on us! We’ll be gathering for some Tex-Mex in the back room at Mi Madre’s, 2201 Manor Rd. 78722 (Manor Rd./Coleto St.)    http://www.mimadresrestaurant.com/

Cost for the meeting: FREE. We have worked to make the cost of this meeting and its related activities totally free to you, our members, thanks to the ability to do this through our chapter finances. We are also immensely grateful to the ABAC for their assistance and generosity (in both planning and hosting), including the use of their presses and space during the first half of our afternoon. Thanks also to Smith & Hawley studio for planning such an interesting demonstration for us, and to Camiba Art for working with us on the rental of their inspiring space.

Kindly RSVP by April 15 if you’ll be attending, so we can best prepare for setup. You can respond to this email, or email us directly at <lonestar@guildofbookworkers.org>
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Valentine’s Day Print Exchange Gallery


Our Valentine’s Print Exchange was great fun. We asked all participants to send us a photo so we could have an online exhibit of sorts here on our page. Below is a gallery of the entries.

We hope to make this an annual exchange, so join us next year, won’t you?

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LSC Valentine’s Day Print Exchange


The first ever Lone Star Chapter Valentine’s Day Print Exchange is almost here!  If you are one of the members who signed up for the exchange please make sure your prints are in the mail no later than Feb. 7th.  All LSC members will be able to view a full online gallery of the prints here on the website on Valentine’s Day.

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Field Trip – U.S. Bureau of Engraving and Printing

New hundred

Just cut stacks of $100 bills make their way down the line at the Bureau of Engraving and Printing Western Currency Facility in Fort Worth, Texas, Tuesday, Sept. 24, 2013. The federal printing facility is making the new-look colorful bills that include new security features in advance of the Oct. 8 circulation date. (AP Photo/LM Otero)

The U.S. Dept. of Treasury’s Bureau of Engraving and Printing has only two branches in the entire country, one in Washington DC and the other just north of Fort Worth, TX. (website)  This gives Texans in particular a unique opportunity to experience the process, the art, and the history of America’s paper currency.

Members of the Lone Star Chapter of the Guild of Bookworkers will be meeting at the Bureau’s Western Currency Facility for a group field trip on Friday Nov. 18th at 10:30am and we invite you to join us.

The Bureau of Engraving and Printing is located at:


We will view the galleries, exhibits, and production floor followed by lunch nearby.  We hope to see you there.

Questions?  Email us at: lonestar@guildofbookworkers.org



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Get to know scholarship recipient Kaoru Perry

The Lone Star Chapter of the Guild of Book Workers is pleased to introduce our Standards of Excellence scholarship recipient for 2016, Kaoru Perry.  Kaoru works at Cloverleaf Studios in Austin with Jace Graf and is a new member to LSC.  She was kind enough to answer a few questions for us and also to submit a few photos of her work.

Friends of Friends Photography by Sean Perry – Portfolio by Kaoru Perry

Q: Where are you from originally?
A:  I was born in Hiroshima, Japan and grew up on a small island outside of the main city.

Q: How long have you lived in Texas and how do you like it?
A:  I have lived in Austin for 4 years now, but had spent time here visiting before. It is a unique collection of people, I like that so many come and start businesses around the things they want to make.


Q: How did you get into bookbinding and what was the first book you ever bound?
A: My husband Sean introduced to me to my mentor Jace Graf. Cloverleaf (where I now work) had published a single signature catalog of Sean’s photographs, and I had the opportunity to help make them. It was really just for fun, but I discovered my hand-skills were naturally suited to this type of practice, and I was eager to learn more. Cloverleaf had just accepted a commission to make a fancy edition for the gallerist Stephen Daiter, and that was my first, official work. Watching that edition come together, I knew this job would be one to really love, and be challenged by. I am so grateful that Jace is willing and continues to train and teach me.

Q: What book would you most like to bind, if you had a copy? (This is a roundabout way of asking what your favorite book is.)
A:  I studied and worked as a painter, and have always loved the magic of the surrealists and the symbolism movement. I hope to someday bind a beautiful book about Arnold Böcklin.  (Arnold Bocklin)

Q: You work at Cloverleaf Studios in Austin with Jace Graf.  Is there a job you’ve done that stands out in your mind as being particularly challenging or fun?
A: I love the moments when Jace arrives with crazy, cool ideas, and I am the one to help bring them to life in 3D. It helps me feel that I am connected to the craftsman who have brought this art form forward. I simply feel lucky I get to practice everyday.

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Visuals For an 8-Pointed Star Lacing Pattern

by Tish Brewer

A couple of years ago I taught a workshop on tacketed bindings that included templates for a lot of different lacing patterns. After teaching the pattern for an 8-pointed star, I thought it would be a nice idea to make a template with the lacing steps color coded- that way each step could be clearly seen without having to refer to more than one instructional diagram. Below are photos of that completed template, along with the original written instructions used for that workshop. Circle 1 refers to the inner circle of holes, circle 2 the next concentric circle outward, and so on. To be clear, you would usually be doing this with all the same color lacing- the differing colors are just my way of showing the steps.

Star/circle 1 (seen below in orange): Start in the back middle hole, leaving at least a ½” inch tail in the back as you move to the front. (Front) Enter any hole in the inner circle from the front. I usually go straight up to 12 o’clock. (Back) Enter the middle hole again and adjust tension. (Front) Travel to the next open hole in a clockwise direction repeating the above steps until your thread is in the back and there are 8 rays in the front. At this point, either enter the middle hole from back to front and continue with circle 2, or trim off the excess and begin the next step with a new length of lacing.

Star/circle 2 (red): With a new lacing or the same one, enter the starting hole (to the left and down from top center) from the back in circle 2. (Front) Make a counter-clockwise ray diagonally down to circle 1. (Back) Travel straight up to circle 2. (Front) Make a counter-clockwise ray down to circle 1 again. (Back) Travel straight up (or straight out, if you aren’t turning the pattern) to circle 2. Continue this until you exit from back to front at the whole you started in, or attach a new lace in the back at this point.

Next (yellow): This step will be in reverse of the pattern just made, and makes a set of x’s on the front. (Front) Make a diagonal ray in the clockwise direction down to the next hole in circle 1. (Back) Travel straight up to the hole in circle 2, making a double layer in the back. (Front) Make a diagonal ray in the clockwise direction down to the next open hole in circle 1. Continue this pattern until you enter from back to front in the hole you started in. Again, continue to the next circle or trim the lacing and add a new one before coming from back to front.

Star/circle 3 (green): This star is similar to star 2, using holes in circles 2 and 3. (Front) Make a ray moving from the start hole (same orientation as you started with in circle 2, to the left and a bit down from the top center of this circle), making a counter-clockwise ray moving up to the next counter-clockwise hole in circle 3. (Back) Move straight down to a hole in circle 2. (Front) Make a diagonal ray moving counter-clockwise up the circle 3. (Back) Move straight down (out) to a hole in circle 2. Continue until you exit from the back to the front in the hole where you began.

Next (pink): Now, you’ll be in reverse of the pattern just made, making another set of x’s on the front of the star. (Front) Make a diagonal ray moving from the start hole up, clockwise. (Back) Move straight down to a hole in circle 2, creating a double layer of lacing on the reverse. (Front) Make a diagonal ray moving up to circle 3, clockwise. (Back) Move straight down (out) to a hole in circle 2. Continue all the way around, then cut off any excess lacing in the back and tuck or glue under another lace. You can knot it if you like, but if you are actually using leather lacings they are unlikely to budge very much, and should be held pretty snug by the holes, which are enlarged only when needed as you go.

That’s it, try it! By the way, this template was made with thick folder stock and the holes were made using a Japanese hole punch, pretty simple. If you have questions, just leave me a comment. Happy lacing!


Front of lacing pattern, oriented to top.


Reverse of lacing pattern. As you can see, the pattern needs to make sense from the reverse as well, since it would be visually exposed on the inside of a book’s cover. You wouldn’t usually have all the little knots you see here along the top right diagonal- that’s just because I was using multiple threads/colors for the purpose of instruction. 

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